Polynesian Visual Arts;

Meanings and histories in Pacific and European cultural contexts, 1760-1860

 

                   

Home About the project Conferences and Events People Contact us Exhibition Museum Surveys Links

Polynesian collections: interpretations of the past in the present

A conference organised by the Sainsbury Research Unit, at the University of East Anglia

 

Friday 14 May 2004,  2pm - 6.30pm

Saturday 15 May 2004,  9am - 4pm

 

Thank you to everyone who came to this conference, which was a great success. Thanks to those who gave a paper and to everyone who contributed to discussions both inside and outside the lecture theatre. It was a forum for stimulating debate and showed that there will be much to discuss and learn in the next 2½ years of the Polynesian Visual Arts project.

 

The conference has made a very positive and exciting start to the Polynesian Visual Arts programme of events and conferences, which will continue over the duration of the Project. Watch this space for more details.

 

Participants at the Polynesian Collections conference, held by the Sainsbury Research Unit, University of East Anglia, Norwich.

14-15 May 2004

 

This conference aimed to bring together anthropologists, historians, curators and others to discuss Polynesian collections and historical materials in the context of current perspectives deriving from a variety of disciplines - in particular historical anthropology.

 

This conference aimed to bring together anthropologists, historians, curators and others to discuss Polynesian collections and historical

materials in the context of current perspectives deriving from a variety of disciplines - in particular historical anthropology.

The conference drew on recent research on the role of museums as custodians and presenters of historical objects and also on how perceptions of the past are shaped by museum practice. In addition, Polynesian studies continue to be invigorated by archival and collections research and this conference provided an occasion to assess current studies. The diversity ofperspectives ensured that the issues appealed to a wide audience.

 

PROGRAMME:

 

 

1.00pm

 

 

 

 

 

2.00

 

2.15

 

 

 

 

 

 

 

 

 

 

3.45

 

4.15-5.15

 

 

 

 

5.30

 

 

 

6.30

 

8.00

 

FRIDAY 14 MAY

 

Registration and Coffee: Foyer, Elizabeth Fry Building

 

All papers will be presented in Lecture Theatre 01.08, Elizabeth Fry Building.

 

Welcome – Steven Hooper (Sainsbury Research Unit)

 

Session 1. Chair: Helen Southwood.

What defines a collection?

Peter Gathercole (University of Cambridge)

 

‘Trophies of Christianity’: a history of the Polynesian collections of the London Missionary Society at the British Museum

Jill Hasell (British Museum)

 

Rediscovery of a collection: the Polynesian collection of the Cuming Museum

Catherine Hamilton and Bryn Hyacinth (Cuming Museum)

 

Tea.

 

Session 2. Chair: Maia Jessop

The Polynesian Visual Arts project: aims and methods

Helen Southwood, Ludovic Coupaye and Steven Hooper

(Sainsbury Research Unit)

 

Keynote lecture:

Tradition and Modernity: Recycling Tradition in Polynesian Art.

Adrienne Kaeppler (Smithsonian Institution)

 

Drinks Reception to be held in the Sainsbury Centre, Mezzanine

 

Conference dinner (to be held in the Sainsbury Centre Restaurant Approximate charge £10 per head, payable by delegates)

 

 

 

 

9.30

 

 

 

 

 

 

 

 

 

11.00

 

11.30

 

 

 

 

 

 

 

 

 

 

 1.00

 

2.00

 

 

 

 

 

 

 

 

 

 

3.30

 

4.00

 

SATURDAY 15 MAY 

Session 3. Chair: Jeremy Coote

Wasekaseka or ’ula lei? – Toward a “Biography of Objects”

Tobias Sperlich (University of Oxford)

 

100 years of presenting Marischal Museum’s Polynesian collections

Helen Southwood (Sainsbury Research Unit)

 

Pattern and Clowning

Chloe Colchester (University College London)

 

Coffee.

 

Session 4. Chair: Anita Herle

Cross-cultural voyaging in the Pacific 1595-1795

Amiria Henare (University of Cambridge)

 

The 18th century Polynesian collections at the Hancock Museum, Newcastle

Les Jessop (University of Newcastle)

 

More Curiosities from the Endeavour: The Banks Collection in Oxford and the Implications of its Identification

Jeremy Coote (University of Oxford)

 

Lunch.

 

Session 5. Chair: Steven Hooper

“Current Research on Polynesian Collections at the University Of Cambridge Museum of Archaeology and Anthropology”

Anita Herle (University of Cambridge Museum of Archaeology and Anthropology

 

‘Adapted Recovery’: Maori museum collections and the first Maori renaissance

Deidre Brown (University of Auckland)

 

Listening To Hidden Voices: taonga in the Pitt Rivers Museum and the British Museum

Rosanna Raymond (Artist & independent scholar)

 

Discussion and farewell

 

End of conference

 Supported by::

 

Supported by: Arts and Humanities Research Board; Sainsbury Research Unit for the Arts of Africa, Oceania & the Americas; and the University of East Anglia

This conference forms part of the AHRB-funded project Polynesian Visual Arts: meanings and histories in Pacific and European cultural contexts, 1760-1850, which is based at the Sainsbury Research Unit, University of East Anglia. See the Project Home Page for more details.

Back to top ▲

 

Sainsbury Research Unit  / School of World Art Studies and Museology / Sainsbury Centre for Visual ArtsUEA / Project Home Page / Museum surveys